When you are plotting a story, there are two very important attributes your story must have in order to sell to an agent or editor or publisher, and to sell to readers.  And in order to have these traits, they must first come from the characters – if your characters don’t have them, your story won’t.

The first attribute your characters and story must have is that they must be compelling.  By definition this means to persuade or force someone to do something.  In fiction, this means the characters and story are so interesting they compel the reader to keep reading, to not want to stop, to just have to know what happens next.  It has that “I couldn’t put it down” quality that grabs hold of the reader and won’t let go until the end.

The second thing your characters and story must have is that they must resonate.  This is my favorite word when it comes to books because that is the single most important quality to me as an editor, and as a reader.  By this I mean the characters and situation have to be relatable – they have to have a quality that makes the reader feel as if they know them, as if they can see something of themselves in the characters, as if they recognize certain traits or habits or feelings.  Even if they aren’t traits or habits the reader shares, they have to recognize the humanness of them – the characters have to feel and act and interact like real people.

Think of the movie Cast Away starring Tom Hanks – there are very few people on the planet who have ever actually been stranded on a deserted island and lived to tell of it.  However the actions of that character, his emotional journey coming to the realization he alone was responsible for his very survival, resonated within all of us.  In any language, we as humans understand the will to survive.  If done well, this resonance will stick with the reader, will vibrate within them and ring true to them, long after the book is finished.

How many of you have heard an author say, “My characters just won’t shut up!” or the dreaded “I can’t get my characters to do what I want them to do!”  Most likely, the author who made the first statement let the characters talk, let them move through the story naturally, and of course the author just couldn’t type fast enough.  The second statement was probably made by an author who didn’t listen to her characters, who didn’t pay attention to the type of scenario or plot needed for that character, who tried to make the character act in a way that was not natural to that character, and so they wouldn’t cooperate.

The first part of brainstorming any story is characters.  If you are like many authors, you come up with the two main characters – the man and woman, or the two men if it’s a M/M story, or even the three main characters if it’s a ménage story.  And maybe you even already have one scene, maybe the beginning scene or the black moment scene, in mind.  But you’ve also got to get into those characters’ heads, figure out who they are and what it is they want.  You must build characters who are so real they actually tell you what is happening to them, they lead you by who they are into where they need to go in order to grow and deserve that beautiful happy ending you have waiting for them.  Yes, you are going to torture the daylights out of them – that’s what authors do, and the more you love them, the more you will torture them.  But it’s for their own good – they have to grow and learn and become who they are meant to be.

Think about the most memorable characters you’ve ever read about, the ones you’ve agonized with and carried their story with you afterwards.  Scarlet in Gone With the Wind, or maybe Melanie.  Forrest Gump or maybe you related better to Lieutenant Dan?  Remember Mary Potter in Mackenzie’s Mountain?  She was feisty and opinionated and inhibited, and her refusal to give up challenged Wolf at every turn, but her joy in life and her earnestness made Wolf, and you, care about her.  And Wolf – yes he was sexy and strong, but he was also someone you wanted to see win.  He’d been mistreated and put down by the community his entire life and his anger at the world was totally understandable, but you wanted him to be recognized for what a good man he actually was.  He was compelling and relatable: we understood why he acted the way he did – relatable, and we found him interesting enough to keep reading to find out what happened to him – compelling.

And what is it that we find so compelling?  What are these characters doing that we find so fascinating?  They are going on an emotional journey.  And we care about them and want to go along with them.  And that journey, with its ups and downs, its rivers to cross and mountains to scale, is your book.

How do you pick which journey to send them on?  Well, you pick the journey most suitable for your characters, and something that’s important to you, something that inspires passion in you, and which you can use to inspire passion in the reader.  And pick something that will totally knock your character out of their easy chair and right into the hot seat.  Have a male character who is a free and easy bachelor, a “player” type?  Drop him into a house raising a popular teenage girl because a friend or relative died and left him guardian, and have him sweating it out while guys like him take her on dates.  Have a male character who is a loner, maybe orphan hard-scrabble background, trusts no one?  Have him fall in love with a woman who has tons of family and kids and very deep roots, where he has to fit in, to learn to trust and deal with his emotions.

Then, pick your external conflict, and make it something that illuminates the issue, perhaps forces the characters in a way they don’t want to go, but which will teach them things they need to learn on their emotional journey.

Pick a setting that enhances the issue, maybe dump a city bachelor into the country, take the rich girl’s money and makeup away, make a rich playboy fall in love with a nobody, toss that alpha male cop into a dangerous situation with only a bossy female defense attorney for help.  Then pick a cast of characters who will push the characters along in the way they need to go.

But remember – learn who your characters are first – knowing them inside and out will give you the information you need to write their story.  And remember those two key words – compelling and resonating – with those qualities as your keystone, you can’t go wrong.

Hello!  Sorry for the long post delay, but I’ve been working very hard on several deadlines and have not had time to devote to blogging.  I’ll try hard to keep up the weekly posts in the future.

As those of you who have worked with me know, and probably think I’m repeating ad nauseum, I am a huge proponent of author web sites, or at least a blog.  How will the world ever discover the bright shining light that you are if you don’t let them see it?  How do you tell the world who you are? You need a place on the Internet where readers can read more about you, and where folks like me, editors and publishers and such, can find you and get to know you.  You also need to show you are at least attempting to make professional promo efforts.

As I’ve said many times, when I get a new submission, the first thing I do, even before reading the intro/query letter, is Google the author and see if they have a web page, blog, or have made any effort to promo their name and/or their work.  If you intend to make writing your career, this is proof you are making a commitment and putting out the effort, and not just playing around with a hobby.  This can be a huge thing for me as an editor because I need to know that when I send you edits and revisions, you will get them done in a timely professional manner, and not keep putting me off because you aren’t in the mood – a deadline isn’t optional.  It doesn’t have to be a big web site and multiple pages, just a blog page is fine.  But you need to get your name out there so readers can find you and you can begin to build up a following.

In my opinion, this is even more important for digital authors – digital readers, simply because of the medium and its equipment, are much more likely to be out there looking for your web site.  By virtue of the medium, they have to be on the Internet to purchase and download books, they have to learn how to upload that book to a reader, if they use one, and they tend to be more technically savvy because of it.  What they find on that web site can earn you sales, and what they read of your books can earn you fans. Even if you don’t yet have a book out, you can intrigue potential readers by letting your personality and writing style/voice be heard, build up anticipation for that first release.

Some say, and I agree, that the very best promo you can do is to write your next book.  Yes, you can not build a career without working on it.  However, especially in digital publishing you need to build a presence, a brand, and get the word out.  In digital publishing you don’t have a huge publishing company with its advertising department and big budget behind you to build up a promotion plan and do a lot of the work for you, such as graphics and flyers and etc.  That plan falls on your shoulders to build, and the work will also be mostly yours.

If you are considering a new web site, or redesigning your existing one, shop around.  You can register your own domain for $10 a year or less, and some of them come with free hosting.  From experience I highly recommend GoDaddy, especially if you don’t have a lot of experience with web sites because many of their features have good instructions and their tech support is excellent.  There are also many other providers out there, so do your homework – the time and effort you put into your site will pay off.  Visit author web sites – make sure you know what other authors of your particular genre and type of book are doing and write down features or designs that appeal to you.  Have a plan in mind before you ever start work.  Also look at some of the web designers who specialize in author web sites because they sometimes offer discounts and specials for new authors and that fit more easily into a starving author’s budget.

If you are going to do your own web site, consider learning how to do HTML on your own.  Visit your local library and check out a few books on building web sites for beginners.  You will save a lot of money by building your own site, and I highly recommend WordPress to get started with.  Hang out at the WordPress site and read the articles and how-tos.  Once you get started you’ll find it’s much easier than you think, and I’ve seen some truly awesome web sites made by authors who just took the information given on the WordPress site, along with the software, and let their imagination soar. Don’t be afraid to try new things, show your personality, and indulge your creativity.  Visit web sites like www.kommando.com and get answers to your questions – technical information is freely available on the web, and you’ll be amazed at how readily those “in the know” are to answer questions and help you do it yourself.

Now – go forth and be geeky!  That is all…

Georgia